Home

I worked as an environment artist on the Zombies mode in Call of Duty: World War 2 at Sledgehammer Games. I worked primarily as a world builder and owned several main gameplay spaces in this mode. So far, I have worked on 8 production levels and was responsible for modeling, texturing, uving, and look-developing gameplay spaces. I constructed both final level architecture and a variety of hero props for these levels, from a machine that spans an entire room to a sinister looking Jack in the Box that also becomes a weapon in the game.

I’ve included screenshots taken from our promotional materials and trailers that showcase environment and gameplay spaces that I was responsible for throughout development. This includes the modeling, texturing, look-development, and set dressing of the environments. These trailers showcase only a small portion of my contributions to the game.

Screenshots

The Final Reich

My contributions to The Final Reich largely focused on 1st, 2nd, and final passes of level geometry of the inner bunker areas, particularly the central command area and the Medical Wing/ Chop Shop. Other areas of focus were the Bridge, the Catacombs beneath the town, the Castle Courtyard leading into the Research and Development wing, and large parts of the level’s vista. I made numerous contributions to the town itself but it was mostly focused on full-revising or second pass modeling of various structures. I wholly rebuilt the clock tower “crown” to match the ornateness of the riverside tower I wholly constructed.

: On this one I was responsible for the final version of this space. The initial version was too clean and didn’t have many elements of horror so I took a strong pass at making this look nasty. I remodeled, retextured, and re-uved the archway modules to fit out updated theme, made a new bloody mud/sewage material, modeled sets of pipes to hang from the ceiling, modeled the cavern ceiling that leads directly from Med to Catacombs, and did various set-dressing. I was not responsible for the cage, chains, or door in the back.

: On this one I was responsible for all passes on this space. Taking it from blockout to final, I modeled almost all of the architecture with the exception of a few pillars that you can’t see in that screenshot, did all of the texturing and uving, and did almost all of the set dressing. In terms of assets built specific to this space, I built the room encompassing machine (with breakdowns included in the linked zip file), I did the look dev and blockouts for all of the machines in the room, and I modeled the track that extends into the ceiling machine.

: I owned this whole space throughout development and I was also the sole artist responsible for taking it to final. I modeled, textured, uved, ALL of this space. In terms of new assets, I took a lot of generic premade assets from other part of the game and from outsource and gave them fairly intense horror passes to make them fit within the rest of the environment. The zombie on the table was modeled and textured by Csaba Molnar and I took a “decay” pass on him to get him to feel right within the environment. I also cannibalized lots of our other character-oriented assets and recut them for use in the environment, particularly the gore piles and individual organs.